![]() “For, we kept everything in colour, and the previous dark backgrounds were replaced by unashamed whiteness.” Consistent with this about-face in aesthetics, frontwoman Dolores O’Riordan swapped her brown locks for a new bleach-blonde ‘do. “The band was very involved in the nature of the images, and wanted to show the difference in appearance of the band between their debut and this second album,” Cally, the band’s art director, explained in the album’s liner notes. They would be proven wrong, of course.ĭistinguishing their new long player from its breakthrough precursor was important to the band, as evidenced in the artwork selected for the album. Upon first listen to the project’s politically charged, guitar-drenched lead single “Zombie,” one would have been forgiven for assuming that frontwoman Dolores O’Riordan, brothers Noel and Mike Hogan, and Fergal Lawler had completely reworked their signature sound for album number two. My and millions of the Limerick, Ireland band’s fans’ prayers were answered when they returned in relatively short order with their second studio album No Need To Argue in early October the following year.
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